By Stephen King
Ever wonder what Bram Stoker would make of the industry that has sprung from his groundbreaking 1897 Dracula? Though not the first vampire novel, it proved to be the one that launched hundreds of sharp-fanged anti-heroes. It’s an industry and a character writers, film studios, and television have worked practically to death. Yet, we never seem to tire of the Count and his brethren.
Which brings us to Stephen King, the writer most will acknowledge as the modern master among masters of horror and the macabre. For his second outing, he chose vampires in a small Maine town, and readers, even now, are the luckier for it. You can say this about most of King’s early works, Carrie, The Shining, and The Stand (first half): it’s a masterwork of terror.
What makes ‘Salem’s Lot, as well as these others so appealing, appealing enough to read a second time years after your first reading? It boils down to small town life, ordinary people caught up in extraordinary events, clear writing, terrific pacing (at least in these early novels), and powerful, literal descriptions. King puts you in the situation and the action and because his characters are much like his readers, you can easily project yourself onto the pages. In short, he’s completely relatable.
You’ll find no better work among his pile of writing illustrating King’s strengths. Could there be a more representative American small town than the Lot? Don’t many small towns have a sinister house occupied, or once home to, the town curmudgeon (not a killer, for sure, but scary, especially in the eyes of children). The Lot has a rhythm to it, a way of living that stretches back years, a dull sameness that locals like and set their emotional clock by. Like any town, though, it’s not perfect bliss, or even close to blissful. It’s relatively poor. It’s filled with its share of misfits. It even has a town dump that many who grew up in small towns will recognize. Above all, everybody knows everybody else, maybe a virtue but which contributes to its succumbing to evil.
Even Ben Mears is a small town boy. He’s published a couple of books, true, but hasn’t achieved any kind of fame and no fortune. He returns to his roots to face a fear that has haunted him, and to get a really good book out of the experience. That fear resides in the old, abandoned Marsten House stilling atop a hill overlooking the Lot. Horrible things happened there long ago, long before when Ben was a boy.
Ben gets more than he bargained for. He gets his greatest fear multiplied a hundredfold in the form of Barlow, an ancient vampire come to establish residence in the Lot coincidental with Ben’s arrival. Poor Ben loses so much: a new love in the form of tragic Susan, new friends in the forms of Matt the high school teacher and Jim the doctor, the new novel he’s written deeply into, and most of all, any comfort and joy in living. Yet, with young Mark at his side, he does gain a new and pretty meaningful purpose in life as one who now can see behind the curtain of quotidian life, like that that the Lot enjoyed before Barlow’s arrival.
There’s one other characteristic of King’s writing that unfortunately ‘Salem’s Lot doesn’t have: stunningly memorable characters, among them religious lunatic Margaret White, rabid fan Annie Wilkes, pyromaniac “Trashcan Man,” the list is long. Vampire master Barlow could have been such a character, ancient, big, nasty, egotistical, and above all, wonderfully bombastic. It isn’t often said about novels, but ‘Salem’s Lot would have benefited immensely from deep background on Barlow. Nonetheless, ‘Salem’s Lot is still a heck of a powerful horror yarn. w/c